Bold Gestures

<posted 02.23.2018>

My 25 Best Albums of 2017

Check out my 25 Best Albums of 2017 with Album Reviews and Streaming Songs to enjoy!

<posted 10.09.2017>

RIP Tom Petty 1950 – 2017

Mr. Tom Petty. If ever a songwriter, musician, performer – artist – deserved a respectful nod, it’s Mr. Tom Petty. The man could write. The man could perform. The man had a no nonsense, unpretentious approach to his craft. He had multi-generational respect across multi-genre artists. He took his record label to court when they raised prices on his albums. When MTV stopped playing his extremely creative and highly successful music videos, he remarked that an era had passed and moving on is fine. “I didn’t write these songs to get them on MTV anyways. I was never trying for that. It was fun, but the music will still be heard.” When the Red Hot Chili Peppers‘ “Dani California” sounded much like “Mary Jane’s Last Dance”, Petty said:

“I seriously doubt that there is any negative intent there. And a lot of rock & roll songs sound alike. Ask Chuck Berry. The Strokes took “American Girl” [for their song “Last Nite” ], and I saw an interview with them where they actually admitted it. That made me laugh out loud. I was like, “OK, good for you.” It doesn’t bother me.”
…”I don’t believe in lawsuits much. I think there are enough frivolous lawsuits in this country without people fighting over pop songs.”

With Tom Petty, the pop songs were always front and center. I hope he is not remembered only as a “greatest hits” rock star, because that would be unfair with several completely awesome albums to his name – even late in his career. It is however understandable – and a compliment – when the sheer number of classic rock radio staples can fill an entire live show set list. Tom Petty & The Heartbreakers began after the dissolution of Mudcrutch – bringing some members with him from Florida to California. The self-titled first album in 1976 establishes the rollicking, tough jangle they would become so well known for including “Breakdown”, “American Girl”, and the under appreciated “Strangered In The Night”. Damn The Torpedoes in 1979 was a massive success and these first few albums have held up quite well over the years. Whether performing aggressive, anthemic numbers like “Refugee” or the passionate spoken verse about the power of love on “Here Comes My Girl”, Petty had a gift for touching on struggles and feelings of real people. He had a unique way of phrasing certain lines with an almost-alternate melody to his chord progressions. The music and vocals were always delivered with a strut, a smile, and a snarl.

Future songs would feature Petty’s blossoming songwriting and after more than a decade of albums and touring – including a long stint as Bob Dylan’s backing band – he recorded his first “solo” album, Full Moon Fever in 1989. Solo for Petty often comprised contributions from The Heartbreakers, but of course the songs were mostly always his anyways. The sound was stripped down and cleaner with the well-known “Free Fallin'” and defiant “I Won’t Back Down” becoming huge hits. The charging “Runnin’ Down a Dream” is also one of my favorite Petty tunes. I can’t write these words without mentioning 1994’s Wildflowers – dropping at a significant time for my increasing musical interest. I wouldn’t be alone in exclaiming how exceptional it is, but the consumption over the next several years was a boundless influence on a late teen learning to play guitar. The warm, balanced production is exceptional, and it is an outstanding listen from beginning to end. Later albums found his songwriting had not diminished and even took on broader depth. “Saving Grace” from 2006’s Highway Companion is as exquisite as anything in his substantial catalog, and 2014’s Hypnotic Eye made my Best Of list that year.

I was able to see Tom Petty live several times, and he always had an easy-going command of the stage and audience – like he’d be there having fun regardless of us. The performances emanated with passion and skill, but it all seemed so effortless. He never fit into any label throughout his 5 decades of work – it was always just Rock and Roll. I’m sad he is gone and will miss all the new tunes and performances that never were. Tom Petty is one of America’s all time finest!

He started and ended his creative output with guitarist Mike Campbell, who a few years ago provided a quote that couldn’t have said it better: “He just has an affinity for finding simple lyrics, simple melody… He could take a simple phrase and make it instantly identifiable to large number of people. That’s a talent.”

Attempting a playlist to represent a prolific career is challenging, but here’s a selection that I suppose means something to me. Enjoy.

Strangered In The Night

You Don't Know How It Feels

Cabin Down Below

I Won't Back Down

Into The Great Wide Open

American Girl

Mary Jane's Last Dance

<posted 08.18.2017>

Craig Finn – Jester & June

Craig Finn’s narrative style appeals to me for whatever reasons the arts dictate to be true. The same thing can be said for his vocal delivery and sense of melody. Perhaps his new album We All Want The Same Things is so chocked full of fantastic songwriting, it’s just too hard to put down. The character studies in these mostly-Midwestern tales seem familiar and make one feel comforted while breaking your heart at the same time. The music is mostly uplifting and vibrates with the skewed tension of Finn’s indie rock band, The Hold Steady. “Jester & June” and “Ninety Bucks” exist as pop-rockers that are propelled forward by aggressive guitar riffs, crashing percussion, and Finn’s snarling expression. I suppose that describes the album’s ten tunes – while “Birds Trapped In The Airport” soars with new wave atmospherics, and “God In Chicago” is an absolute spoken-word stunner.

Gov’t Mule – Stone Cold Rage

Ah…Warren Haynes fills the void again. At least for me, guitar heroes and big muscular Blues Rock that I really enjoy has been hard to come by. Warren Haynes is the man and not only is his playing outstanding here, but he seems to have found his voice even more so as of late – evident on 2015’s solo effort, Ashes & Dust. Here with co-founder and drummer Mat Abts – and joined by keyboardist/guitarist Danny Louis and bassist Jorgen Carlsson – Gov’t Mule rages on Revolution Come…Revolution Go, their newest progressive, jam-band rock album. Fittingly, not every track is as imposing as “Stone Cold Rage” and “Drawn That Way”, both with meaty riffs and wah pedal virtuosity madness. “The Man I Want To Be” is a beautiful song and “Thorns of Life” utilizes effects and percussion as it slowly builds and crescendos repeatedly. Through jazzy-funk numbers, “Sarah, Surrender”, and the epic multifaceted title track, Gov’t Mule once again displays that real instrument playing – and ruling at it – is not gone. Even on a studio album, their improv spirit is alive, and it’s an extremely solid release.

<posted 07.28.2017>

Ha Ha Tonka – All With You

The criminally unknown Ha Ha Tonka follows up 2013’s awesome Lessons with another fine entry of melodic but noisy rock and roll – 2017 release Heart-Shaped Mountain. An increase of expansive guitar work is observed in both intricate passages and soaring songs. The intricacy is revealed in tight banjo and piano riffs – and few songs can take flight like the fantastic “All With You”. It’s an album full of engaging vocals that could serve as basis of any dinner party or late night shenanigans equally as well. The lyric “I want to see it all…All With You” hits home on several levels. It’s quite simply an extremely fun affair and one of the year’s best albums.

Cloud Nothings – Sight Unseen

Few bands have satisfied my edgier-rock interest over the past few years like Cleveland’s Cloud Nothings. I’m being coy – I truly think this band is awesome! Especially after seeing them live a couple times. New album Life Without Sound is clearly more polished than previous offerings, but they have always skirted the line of punk and off-kilter indie rock. “Sight Unseen” strikes the balance expertly well with a couple tempo changes and some killer vocals.

Benjamin Booker – Motivation

The sky is the limit for Benjamin Booker. He delivered a fiery statement with his self-titled debut, and this year’s Witness is immersed in a more soulful style of his impassioned blues rock. Not unlike the sophomore effort of contemporaries Alabama Shakes, he takes a more mellow and adventurous turn on the above “Motivation” and “The Slow Drag Under”. The former utilizes a string section under the throbbing beat and Booker’s raspy croon with a tasty guitar lead, while the latter is almost buried in it’s spooky dynamics. Captivating choruses are front and center on the gospel-tinged “Witness” – featuring Mavis Staples – and the reverb-laden “Believe”. The punk-inspired rock of the last album does make appearances on first track “Right On You” and one-half of “Off The Ground”, but otherwise Booker uses his musicianship and socially-aware lyrical talents for Soul and R&B on this awesome piece of work.

<posted 06.02.2017>

The Allman Brothers Band – It’s Not My Cross To Bear

The Allman Brothers Band – Melissa

RIP Gregg Allman 1947 – 2017

Another Brother passes this year. Gregg Allman had the ragged, soul-drenched vocals of a weary vagabond – even at age 20. His distinct vocals and songwriting credits were a mix of southern blues and the English rock of the time – filtered with a loose jazzy shuffle. You may gather from my previous post on the passing of Butch Trucks – I really love The Allman Brothers Band. There are some massive classic rock radio singles, but for most fans, it is the masterful live performances that define them. I was lucky enough to see them multiple times when the last lineup – including Warren Haynes, Derek Trucks, and Oteil Burbridge – roared through the early 2000’s. One of those enormously talented bands that can lock in a jam and bring you along a mind-bending journey – maybe the best at that. Gregg Allman survived the hard partying rock and roll 60’s, but not unscathed as he dealt with related illnesses for several years. Along with other founding members, he kept the jams going long after brother Duane died in a motorcycle accident in 1971. Even though The Brothers had already disbanded, 2017 truly marks the end. But the road goes on for all the fantastic music, and I’m inclined to spin all their legendary live albums on a regular basis.

<posted 05.20.2017>

Soundgarden – Outshined

Temple Of The Dog – Hunger Strike

RIP Chris Cornell 1964 – 2017

An amazing talent – who had seemed to outrun his demons – is gone from this world. It’s frustrating to think that someone makes it through the worst times and so much of life’s ups and downs, and then some switch is flipped. But that is how depression pursues its victims. His lyrics were full of self-defeating doubt, as in my favorite Soundgarden tune, “Outshined”:

“I got up feeling so down”; “I’m feeling that I’m sober, even though I’m drinking/I can’t get any lower, still I feel I’m sinking”.
“I got off being sold out/I kept the movie rolling, but the story’s getting old now”; “I just looked in the mirror and things aren’t looking so good”

Cornell always appeared the most grounded and articulate of his contemporaries – and honest about his struggles. He always deferred to non-famous people when talking about issues – addiction for example:

“What ends up happening with musicians and actors is, they’re famous, so when somebody has an issue, it’s something that gets talked about. People die of drug overdoses every day that nobody talks about. It’s a shame that famous people get all the focus, because it then gets glorified a little bit, like, ‘This person was too sensitive for the world,’ and, ‘A light twice as bright lives half as long,’ and all that. Which is all bullshit. It’s not true.”

When someone like Cornell passes this way, it’s best to think of those you know who may be struggling in the same fashion – and reach out to them! You never know how dark it can be for them. It’s sad for anyone with this struggle to pass. Chris Cornell’s voice was a once-in-a-generation treasure, and his body of work reveals an underrated songwriter. I also included “Hunger Strike” above from the one-off Temple Of The Dog project, a tribute to Andrew Wood of Mother Love Bone – who died too early as well. It was undoubtedly my introduction to Cornell ‘s contribution to music – all of which will always remain.

<posted 02.25.2017>

My 25 Best Albums of 2016

Check out my 25 Best Albums of 2016 with Album Reviews and Songs to enjoy!

<posted 01.27.2017>

The Allman Brothers Band – Hot ‘lanta

The Allman Brothers Band – Whipping Post

RIP Butch Trucks 1947 – 2017

Butch Trucks was a driving force of one of the greatest live bands of all time, The Allman Brothers Band. A founding member of the band, but also for an entire genre of music – jamband as they say. Drummers take back seat recognition sometimes, but for this band, he was truly responsible for much of their sound. He could be bombastic and nuanced at once. His shuffling rhythm and endless creative rolls pushed the rock-and-roll along and brought the band with him. While steeped in southern rock and blues, his immense skill was in the pocket of jazz as well. I’m happy to have seen him and The Allman Brothers Band several times, right up until they finally stopped the jamming in 2014. There are some huge rock radio hits, but I prefer to focus on his live drumming. Above is “Hot ‘lanta” – where he gets a co-writing credit – from one of the greatest live albums of all time – The Fillmore Concerts. Also, “Whipping Post” from 2004’s One Way Out: Live at the Beacon Theatre, compiled from more recent shows playing with nephew Derek Trucks – a massively talented guitarist and part of the Allman’s since the early 2000’s. Thanks for all the music Butch Trucks.

<posted 12.30.2016>

Michael Kiwanuka – Cold Little Heart

Some albums are important to hear as social commentary needed at critical times. Some albums are just enjoyable listens. Londoner Michael Kiwanuka’s Love & Hate has the distinction of being both. Having Ugandan heritage – his parents fled to England during an oppressive regime – and growing up in middle class white neighborhoods gives a unique perspective. With all the troubling observances throughout this passionate album, Kiwanuka manages to keep a positive outlook and hopeful message – which lends to the quality of this release. Also key is his wonderful, soulful croon and the evidence of solid musicianship by him and his support. Album opener “Cold Little Heart” is a 10 minute track with sultry Blues licks and uplifting lead vocals coming half way in. Gives me chills every time.

<posted 12.9.2016>

Shovels & Rope – The Last Hawk

If you know me or followed my ramblings about music, you know I’ve been a huge fan of Charleston, South Carolina’s Shovels & Rope since the moment I heard O’ Be Joyful in 2012. Back porch rockabilly folk, emotional ballads, and blues-rock stompers have expertly flowed since. The live show from married couple Cary Ann Hearst and Michael Trent is tremendous, with each jamming on a deluge of junkyard versions of rock and folk instruments – and trading lead vocal duties. This years Little Seeds finds the band converging on a more singular voice with riveting harmonies. I think it’s also the noisiest, most abrasive sound yet – almost to a fault. Almost. It is a phenomenal album, and once again there are tempos and textures to both extremes. One of the highlights is “The Last Hawk” – wonderfully written and an example of their signature mid-tempo ditty.

<posted 12.2.2016>

Diarrhea Planet – Life Pass

This Nashville band digs late 70s power pop-rock, pseudo hair metal, and their home town’s alternative roots movement. It’s Cheap Trick meets Neutral Milk Hotel. It’s serious musician chops meets warped personality, as evidenced by an absurdly awesome band name. All 2016 album Turn To Gold does is rock hard with tight playing and a dynamic sense of how a rock album should sound. “Life Pass” is one of the more anthemic fist-pumping tracks with scattered melodic breakdowns among the heavy rock riffs.

<posted 11.18.2016>

Hiss Golden Messenger – Say It Like You Mean It

My new favorite sharp and wonderfully ragged folkster is M.C. Taylor. Going by the name Hiss Golden Messenger, he’s put out consistently good albums for a few years now – and this year’s Heart Like A Levee is outstanding! It seems as if nearly every folk and rock instrument has been represented in this soulful blend of rhythm and swampy blues. The music is buoyant and chill concurrently and every song is well written. Taylor’s passionate croon and warm lyrics about real life struggles and finding joy appear to keep the tunes together – as they almost fall apart. Production value is top notch as a bonus. The track above is just a fine example of the quality throughout this addicting album.

<posted 10.7.2016>

Quaker City Night Hawks – Liberty Bell 7

A formulary that seems to grab my attention consists of raucous Rock and Roll that tips the hat to a mix of past genres, but creates something ragged and interesting along the way. Quaker City Night Hawks’ El Astronauta is pulled from that rule, but pushes description as well. This Blues-tinged, Southern-boogie rock is a high-charged night out, but the instrument and vocal dynamics feel like the next morning’s reflection. Track “Liberty Bell 7” is, quite simply, a really good time.

<posted 9.30.2016>

Whitney – No Matter Where We Go

Light Upon the Lake – with its shimmery, rustic resonance – is a perfect title for this debut from duo Julien Ehrlich and Max Kakacek, both formerly of Smith Westerns. Acoustic strumming with jamband-like passages of electric guitar, keys, and horns permeate this beautiful pop music. There is a measured pace to many tracks but an underlying bounce that provides counterpoint to the dreamy falsetto vocals. The shared track above is one of the livelier arrangements with a 70s new wave rock groove.

<posted 8.19.2016>

Pearl Jam. 10 Albums. 25 Years. 2 nights at Wrigley Field.

I’ve grown to identify with many styles of music from all eras on a personal level, but my first real passion – ok, obsession at one time – still gets me stoked like nothing else. From learning lyrics that seemed to mirror my life, to owning hundreds of bootlegs on CD [and cassette tape], to traveling for many shows, and beyond…. A playlist precursor for the August 20th & 22nd evenings upon us. Cheers to 25 years of Pearl Jam!

Elderly Woman Behind The Counter

<posted 8.12.2016>

Radiohead – Ful Stop

An awesome listen on this dark, stormy morning. New album A Moon Shaped Pool continues to invade my mind, and its spooky beauty becomes life’s rhythm.

<posted 7.22.2016>

Alabama Shakes – Miss You

Earlier this week, I attended one of my most highly anticipated concerts of the year. I try to never allow expectations to creep into my head before live shows – best to not be disappointed and just enjoy the moment – but this night I expected great things. Fortunately, Alabama Shakes were better than great. They were overwhelming and exceptional! The band was passionate without drama…powerful without garishness….psychedelic without gloom. Brittany Howard is the real deal – all that’s been written is deserving. I knew that after loving last year’s Sound & Color – but seeing her live gives an entirely new appreciation. Her vocal range is astounding, and she can go from the highest register to a booming rumble in the matter of a single line. Also, she rips on guitar. And as I wrote in my album review, the entire band is a staggering talent – rich in the history of Rock and Roll, Blues, R&B, and Soul – but crafted into art entirely their own. One of my favorites from the night was the above “Miss You”, and speaking of my album review – there’s a track to listen to there as well. If you get the chance to see Alabama Shakes – I highly recommend it!

<posted 7.15.2016>

White Denim – Holda You (I’m Psycho)

Not many bands are simultaneously progressive rock, fractured indie, and blue-eyed soul. White Denim are exactly that and pull it off with staggering confidence. This year’s Stiff rocks with an animated groove from beginning to end. There are no massive detours throughout the album, but each track has an abundance of intertwining lead riffs and thrilling break-downs. Which is to say this is tight rock and roll with just enough loose swing and crazed delivery, as heard on the above track. And if you’re looking for a few slow-burning R&B tunes, singer and guitarist James Petralli and crew oblige as well – with surprising success.

<posted 7.1.2016>

The Avett Brothers – Satan Pulls the Strings

The Avett Brothers have been delivering excellent, progressive folk-pop for over 15 years. Each album has the sort of sweet melodies that swim around in your head for weeks. The band is fantastic live, but have never quite captured the energy and emotion of their performances in a studio album – which is fine. They take a different approach and define studio projects as their own statement. But, together with a stellar set of songs and some edgier production, they reach a new level with wonderful new album, True Sadness. A deceiving title for a mostly buoyant group of tunes. “Satan Pulls the Strings” – featured live previously – utilizes some warped dynamic sounds to complement the beat and rollicking banjo lick. Fantastic tune!

<posted 6.24.2016>

Phish – Birds Of A Feather

“Birds Of A Feather” has long been one of my favorite Phish tunes and having several live versions sort of goes hand-in-hand with being part of this fan community. The funky bass line and soaring chorus vocals gives way to a ripping guitar solo and exquisite jam. The band plays 2 shows this weekend at Wrigley Field, and the neighborhood will be buzzing all weekend with sweet tunes filling the air. This particular version is from 07.10.1999 : E-Centre – Camden, NJ. You Enjoy…

<posted 6.17.2016>

Al Scorch – Everybody Out

Al Scorch – Lonesome Low

I wasn’t aware I would see Al Scorch when attending a small show last November. But there he was on the opening bill – and what a sight to behold. I read somewhere afterwards that he was “the finest country-punk-folk-bluegrass banjo player in the country”. My smile during his performance would agree. Al Scorch and his band burned through a rocking set featuring “rock” instruments such as banjo and upright bass. One of my favorite albums of 2016 so far is his new album, Circle Round the Signs. Again, I didn’t know what to expect save some ripping banjo playing…but it turns out he’s quite the songwriter, and there are catchy vocals and beautiful resonance throughout. He was born and raised in Chicago which I believe has given him a diverse and thoughtful view on society – with the requisite toughness. To show both sides of his music, I’ve shared the brash “Everybody Out” and the stunning “Lonesome Low”.

<posted 6.10.2016>

Car Seat Headrest – Fill In The Blank

The indie rock album of the year has dropped. It would be easy to guess the many influences for Will Toledo, the youngster behind this project – Pavement, Pixies, Television, early Beck perhaps. Teens of Denial may sound derivative if it wasn’t for the ambitious song structures and abundance of killer hooks. The lo-fi slacker aesthetic cavorts around rock songs with immediacy and shimmery production. At times, the tunes on this impressive album seem to fall apart in chaotic noise and meandering guitar lines only to be thrust into a roaring jam or catchy chorus vocals. Somehow, concise songwriting and lengthy instrumentation coexist – several songs eclipse 6 minutes but seem perfectly natural explorations. “Fill In The Blank” is an earnest example of the former.

<posted 6.3.2016>

Parker Millsap – Morning Blues

Mixing up southern-tinged soul with infectious pop melodies, Parker Millsap delivers winning album, The Very Last Day. He has a fresh take on Americana music with perfectly-timed harmonica, fiddle, and piano fills. But those are down in the details. The foremost presence is Parker’s voice which has a fiery vibrato and tells these little stories with an amazing confidence. The entire album breezes along at a comfortable pace with passionate lyrics about sin and salvation, and a balanced view of the world – which I can appreciate. I suppose his small-town Pentecostal upbringing has much to do with his musings and certainly brings the gospel-blues feel on several tracks. I chose to share “Morning Blues” above, because, well – I can’t get it out of my head. Now it’s your turn.

<posted 5.27.2016>

Fruit Bats – Humbug Mountain Song

I have never really checked out Fruit Bats before but heard good things about new album Absolute Loser. Giving it a spin revealed some delectable folk rock full of melody and pensive lyrics. It’s the perfect album to kick off the day – cup of coffee in hand and a chaotic day ahead. The above selection combines front-porch picking with a galloping rhythm. Lyrically, the tune takes an interesting perspective on birth and what it must feel like being brought into a strange new world. Fitting to say the least, and a great listen for certain moods.

<posted 5.20.2016>

The Allman Brothers Band – Blue Sky

The Beatles – Let It Be

The Lone Bellow – Watch Over Us

Wilco – You and I

Assembling a nearly 200 song playlist for the labor and recovery hospital stay for our first child seemed easily appropriate – in fact, a request from my wife / Mom-to-be. Of course, I took careful consideration. It had to be a mix of old and new. Some tracks with pertinent meaning, some favorite tracks, all with an easy soothing vibe. Had to be some humor involved as well – Pearl Jam’s “Mind Your Manners” as a newborn’s first lesson was nixed due to being a ferocious rocker, but the same band’s “Push Me, Pull Me” was included. With some unexpected labor complications, it ended up repeating more than expected, so being a solid list was key. It was there during stressful and scary moments and there in the happiest moments of our life. It’s now a diaper changing and nap time go-to. Oh, how life has already changed. There were several tracks that seemed to pop up at the best time and cemented themselves as a marker in time. Above is a small selection of those. I’m so thankful for having Becca, an amazing girl and partner. I’m so thankful for our healthy newborn son, Hudson. I’m so thankful for Music.

<posted 4.29.2016>

Ben Harper & The Innocent Criminals – Shine

I remember 17 years ago studying some engineering type stuff and listening to a new CD 🙂 by Ben Harper & The Innocent Criminals called Burn To Shine. I barely understood the school work but the opposite was true of the album. In another case of “some things never change”, I’m reminded of that exact time – said another way – work sucks and new Ben Harper doesn’t. Call It What It Is is the first album with The Innocent Criminals since 2007’s phenomenal Lifeline and finds the band exhibiting every style in their soulful rock. “Shine” is a particularly sunny moment with a groovy rhythm, tasteful guitar flourishes, and Ben exhibiting his expressive wail.

<posted 4.20.2016>

The National – Morning Dew (Grateful Dead cover)

Phosphorescent, Jenny Lewis & Friends – Sugaree (Grateful Dead cover)

Day of the Dead, an epic 59 track Grateful Dead tribute album, will drop on May 20th. Aaron and Bryce Dessner of The National organized this huge collaboration as an HIV/AIDS benefit, but probably also because it was a blast to put together. The lineup includes some of the most elite indie rockers out there, which means if you love Grateful Dead and today’s vibrant indie rock scene – well, you’re in for a treat. The paramount attraction for me is that each song is reinterpreted in each band’s style and shows not only their love of the Dead, but how far reaching the Dead’s music is. A couple tracks are featured above….can’t wait to spin this album repeatedly.

<posted 3.4.2016>

John Lennon – Give Me Some Truth

I won’t pretend to understand what is happening in the minds and hearts of our country’s people, but I’ll try. I hear you America, you’re angry. But, I’m fairly sure there’s something else going on here. The anger is in large part coming from a subscription to the false idea that we are living in a dystopian country. Paranoia and fear – stoked by huge political machines that are losing control of the situation they created. Pumping your fist and screaming in delight to lies and utter nonsense does not solve any problems. It does not make for better living. It absolutely will not take anger and fear away. The truth is we have every right to be concerned and intensely focused on a pivotal time – fine, angry if you want. We have daily struggles. We all want policies that improve society and help us and our loved ones live better. So what can we do? How about legitimate Policy discussion. What are the best ideas for our workforce, education, and the working poor? A more accurate view of the important problems would be a start as well. “Give Me Some Truth” – I can’t hear it over the shouting absurdity.

<posted 2.19.2016>

If you haven’t yet, check out my 25 Best Albums of 2015. Listen to a song from each and there are album reviews!

<posted 1.16.2016>

David Bowie
RIP 1947 – 2016

David Bowie – Changes

David Bowie – Heroes

David Bowie – Never Get Old

Last week, David Bowie released his 25th album, Blackstar. I immediately gave it a few spins and was enjoying the lush, maniacal-jazz vibe. All of Bowie’s music is the face of many colors…the voice of many movements…a shape-shifting odyssey of morality and sexuality. Listening to the new album led me to check out the older Bowie albums I had – which seems to happen when an older, established artist has new music. Then suddenly, the news of his death came. A negative of listening to so much new music is the tendency to stray from all the classics that came before – even if I’ve already devoured them. I just never wanted to end up playing only the same albums from decades past over and over – it is extremely satisfying for me to hear new creativity. Thankfully, David Bowie is the past and the present.
I won’t pretend to be a huge fan, but it’s obviously a perfect time to reflect on his art, which I certainly have appreciated over the years. I’ve shared above the classic pop hit “Changes” from 1971’s momentous Hunky Dory and the massive “Heroes” from the Heroes 1977 release. In 2003, I was getting my hands on every piece of music I could and had a huge thing for his album that year, Reality. From that album, “Never Get Old” is a personal favorite and a poignant marker in my life. His influence is vast and continues. David Bowie – cleverly tuneful, often eccentric, and always venturesome.

<posted 1.8.2016>

Mumford & Sons – The Wolf

This is a pretty awesome tune that popped up in my 2015 playlist recently. I’ve never been a huge Mumford fan – for no particular reason really. Always have enjoyed a few songs from time to time. This last year’s album, Wilder Mind, had much more electric guitar and throbbing electronic soundscapes. I believe some trashed it as an attempt to sell more records. I sort of never listen to that nonsense and feel like any artist can create whatever they want anytime they want. Maybe it just felt right at the time – but in any case the album seemed to have a vibe slightly resembling The National…one of my favorite bands. Turns out the 2 bands spent some time together, and The National’s Aaron Dessner helped shape the sound, which adds to his growing credits as a producer. Anyways, I enjoyed the album and saw them for the first time this summer. Really put on a good show, and it was a very memorable 😉 night – as shows typically are Chicago lakeside.

<posted 1.1.2016>

The Beatles – All You Need Is Love

Pearl Jam – Love Boat Captain

Happy New Year! 2015 continued a recent trend of each year being better than the last. Every year has its challenging situations but also rewarding and joyous occasions. It may be trite to say I married my best friend, but it could never be more true. My wife Becca established for me, a belief in deep, uncompromising Love long before vows were exchanged of course. And of course a ridiculous amount of fun all year! I’ve also grown more thankful of family and all the relationships in my life that I cherish. I’m also constantly reminded of the importance for Love of mankind. With all the evil – and sadly, fear of those different than yourself – in this world, I see an abundance of chivalry and respect every day. We need to more often focus, report, and remember the overwhelming majority of good people and good deeds. And also keep in mind, the cries of political correctness are really simply good old-fashioned manners. Maybe it’s old fashioned of me, but I believe Love is always a good answer. The Beatles said it best! And an updated view from Pearl Jam – where Eddie Vedder sings “Once you hold the hand of love, It’s all surmountable.” No matter what you may face, and what you may believe in, we should all try to Love! Cheers to 2015 and 2016 ahead…

<posted 12.18.2015>

Banditos – The Breeze

Banditos create a perfect blend of hazy Blues, stomping Folk, and rowdy Rock and Roll. Their self-titled debut album has been in my rotation most of the year due to solid songs throughout, and because of another reason that always captivates me. These guys and gals can play! They are extremely talented individually and leave enough space for each other to showcase said talent. Headphones and/or loud volume is recommended to really dig into all that’s going on. Above track “The Breeze” is boogie-woogie music with a loose medley of ideas that barely ends in the same place, but there is wild diversity throughout this merry listen!

<posted 12.4.2015>

The Yawpers – Doing It Right

I don’t know much about this band except they’re from Colorado and represent all that is fantastic about Rock and Roll. They capture the primal beginnings of Rock, Blues, and Folk in a revved-up anthemic fashion with an abundance of memorable hooks. I love vintage guitar tones, slide guitar, and a healthy soaking of reverb, thus I’m loving their 2015 debut album, American Man. Repeated listens are revealing more variety and melody in this otherwise mostly fist-pumping Americana trip. Check out the opening track above, and dance around the room with all the crazy freedom your body and mind contains.

<posted 11.20.2015>

Marrow – She Chose You

Every once in awhile, I hear something brand new that grips me immediately and flashes creativity and potential. The recent entry, and easily on my year’s end list, is the debut album of Chicago’s own Marrow. This young band has all the qualities that move me – various influences, song-craft, twisted structures, and the desire to jam somewhat. They easily bring to mind another local huge favorite, and indeed it appears they’ve had some hangout time with Tweedy. There is something powerful just barely contained in these harmonious tunes with shifting time signatures and exploding crescendos. The use of both a male and female lead vocalist is deployed to great effect. There is much sonic complexity throughout this wonderful release, The Gold Standard, but I’ve chosen to share the more straight forward “She Chose You” above. To really appreciate them, check out the whole album – available for $5 on their site.

<posted 11.6.2015>

Bully – I Remember

White Reaper – Make Me Wanna Die

I get in a punk rock mood sometimes and, although don’t listen to the genre as much as I used to, still love the raw energy. I prefer the garage, lo-fi, burn-everything variety. The band Bully from Nashville is led by a ferocious female, Alicia Bognanno, and definitely has the early 90s Breeders thing going on. I actually have seen them twice just by chance, opening up for other bands. Their set at a Lolla aftershow earlier this year absolutely rocked. White Reaper, from Louisville, wastes no time in blasting through this year’s White Reaper Does It Again, which I’ve listened to quite a bit. They are all frenetic energy with plenty of catchy hooks.

<posted 10.9.2015>

Jason Isbell – If It Takes A Lifetime

Lucero – Went Looking For Warren Zevon’s Los Angeles

If you ever ask someone “What kind of music do you like?”, often you will hear “Anything but country”. To which I reply, with as little pretense as possible, “Maybe you are hearing the wrong country.” Ok – so nothing is “wrong” when it comes to music, but seriously, there is a wide variety of awesome tunes to be heard – call it Alt-Country or Americana if you will. One example is Jason Isbell, formerly of Drive-By Truckers, who’s solo career is becoming quite formidable. This year’s Something More Than Free has a feel good vibe throughout while depicting characters in every walk of life. Another example is the usually raucous Lucero, who delivered the more contemplative All A Man Should Do this year. Lucero serves up many Southern-style helpings with Ben Nichols’ rugged twang and always accomplished arrangements. Hope you enjoy both songs above, but if not, well could be you just like “anything but country”….which I suppose is just fine. 😉

<posted 9.25.2015>

Gary Clark, Jr. – Grinder

A couple weeks ago, the immensely talented Gary Clark, Jr. released The Story of Sonny Boy Slim, and it is outstanding! The Austin musician has the guitar mastery to carry the torch for a dying breed of Blues players, but here he displays all his stylistic ambitions. This includes soul, funk, and hip-hop – all revealed in a spirited groove from the past that appears to be resurging. If the music on this release was only one style or moved awkwardly between them, it wouldn’t be as enjoyable. This offering excels because of the seamless blend of ethos and the idiosyncrasies within. There is some burning late-night R&B and more layered nuanced guitar on this collection, but I’ve decided to share one of the more ripping guitar-centric songs above – which is what Clark captivated me with first.

<posted 9.18.2015>

Nathaniel Rateliff & The Night Sweats – S.O.B.

I’m usually immersed in music with lyrically deep, personal meaning or maybe lush, unorthodox song structures. Sometimes though, a rollicking fun tune is all you need – even if it deals with serious perils. I can’t remember who recommended this to me, but I’ve been spinning this self-titled release all week. This is exuberant, vintage roots rock soaked in swagger and reverb – which I always dig. The album is full of themes of growing older and how we help each other through all the falling and failing, and truth be told, there’s a variety of tempo and subject matter to enjoy here. The ability to craft loose ramshackle tunes while keeping it all together is extremely well done.

<posted 9.11.2015>

The Tallest Man On Earth – Slow Dance

The Tallest Man On Earth, aka Kristian Matsson, is a Swedish folkster who brings to mind Paul Simon – if he was a world-weary vagabond aware of every possible human emotion. His gravelly voice has surprising range and has a knack for gripping the listener wherever he may be displaced. New album, Dark Bird Is Home, feels like home – there’s just something very natural and comforting about these gorgeous tunes. Whether it’s a piano ballad or layers of guitar, keys, and percussion – this release with a broader electronic soundscape – it comes straight from the soul.

<posted 8.28.2015>

Wilco – Random Name Generator

Wilco – Where Do I Begin

Last month, I received the usual Wilco update email but this one was different. It was an announcement for Star Wars, a brand new surprise album that was available for free download. As a huge fan of this unfailing band who normally reads about new rumored recordings, I can say it was a surprised indeed. Jeff Tweedy wrote that the no-cost release was a thank you. How wilco of you. I was quick to give it a couple spins, but life ensued and there has been a flood of new music lately. During the couple weeks I had not returned to it – I had these bouncy, swirling melodies stuck in my head not unlike the chaotic path of a small bird in flight. When I went back to listen, it became apparent where that beautiful noise originated. Wilco albums are forever “growers”. I wouldn’t expect new Wilco fans from this album, but for whatever reason, I love this band so thoroughly. They seem to reside in their own genre – which is a rarity. There is always a simplistic folk song structure as the base, and then so many shapes and colors are added by these individuals of wide-varying influences. Truly an example where the sum excels over the parts…especially lately. Star Wars is one of the most concise, stripped-down albums they have released – yet somehow the roughest and most adventurous rock in awhile. It’s genius has actually been revealed to me quite quickly this time. I’ve come to expect the awesome (and more lighthearted this time) lyrics and concurrently catchy/challenging orchestration. “Random Name Generator” has a great fuzzed-out riff and seems to be about the randomness of our universe. “Where Do I Begin” contains relationship commentary that few writers can match and a cool outro jam. Now to see this live since I missed the headlining Pitchfork Festival slot where they performed the album from start to finish…about 24 hrs after the free release….how wilco of you.

Dawes – Don’t Send Me Away

New Dawes album All Your Favorite Bands had been on my list to check out for several weeks. Their previous albums had always seemed a little too soft and safe for me. Who knows – maybe I didn’t give it enough attention then. On a close friend’s recommendation, I dove into the new one this week and…..Wow! Like – blown away Wow! It is safely one of the most beautiful pieces of Americana I’ve heard. the Eagles and Crosby, Stills, & Nash come to mind and not just because Dawes is from California and deeply-rooted in the Laurel Canyon sound. This is a perfectly crafted album of tight songwriting, gorgeous vocal harmonies, and the sort of impeccably timed electric guitar passages that coax me into a temporary fanciful flight. It’s an extremely cohesive release and obtains a vibrant panache easily – without even trying so hard.

Ryley Walker – Sweet Satisfaction

I was asked recently what 2015 albums I was liking so far, and any mention of that list would include Ryley Walker’s Primrose Green. If you like psychedelic-tinged jazz-rock along the lines of Grateful Dead, Traffic/Steve Winwood, and Van Morrison, you’ll love this. I’ve read that Tim Buckley, who I’m just now appreciating because of Ryley Walker, was a huge influence. Ryley’s rotational finger-picking style and sense for a heady blend of the abstract and the melodic is breathtaking. He’s from Chicago, earning a loyal club following, so hopefully I can check out a show soon. “Sweet Satisfaction” begins with a breeze of acoustic guitar and soulful vocals and adds smoky elements from exceptional jazz musicians. There are restrained crescendos throughout with playfully complex arrangements before breaking into a fusion jam.

The Districts – 4th and Roebling

I sometimes hear people say there are no good, young rock bands anymore. To which I say, you need to update your listening sources. Ignore my pretentiousness and just take this as a recommendation. The Districts rock with all the young angst and aggression you may be looking for, albeit with a modern melodic wistfulness. A Flourish and A Spoil is their second album, and it’s full of passionate playing and singing with enough twists and turns to provide counter arguments to every plea. I really dig the opening track, shared above….the entire album is a great listen.

Grateful Dead – Box of Rain

Grateful Dead – Saint Stephen > The Eleven > Death Don’t Have No Mercy

I feel a bit disappointed I didn’t make more of an effort to catch one of the final Grateful Dead shows ever at Soldier Field a couple weeks ago. I never got to see them…a couple years late by the time I really started going to shows. I’ve seen an absurd amount of shows by bands influenced by Grateful Dead, and that’s especially true when you realize the expansive influence they had on Rock and Roll in general. They were not only great musicians and a legendary live band, Grateful Dead is one of the most significant artistic institutions ever. It’s a good time to reflect on their contribution to Music. First track above is “Box Of Rain”, one of my favorites from the extraordinary American Beauty (1970), which showcases The Dead’s songwriting chops and is quite possibly one of the best albums of the era. Also above, a live 3 song segue I dig most, from Two From the Vault…presented here as one seamless track. A long strange trip to enjoy for the rest of time.

Sharon Van Etten – Afraid of Nothing

For Becca, my love and more…

<posted 5.29.2015>

Built To Spill – Living Zoo

In the beginning, “indie” rock was guitar riff heavy. Swirling sounds were fabricated from guitar pedals. Song structures were fractured but full of melody. Sometimes the indie band was even really on a huge label. Still on contract with Warner Bros., Built To Spill is back after a long hiatus with new album Untethered Moon. I remember sifting through the new release bins at my independent record store in college and finding them. A store recommendation for those into the northwest “grunge” sound but also the art rock of 80’s New York City. That still describes them pretty well, as they don’t reinvent themselves here, but Doug Martsch’s warbling vocals, imaginative lyrics, and mastery of intertwined guitar hooks still sounds like impassioned rock and roll to me.

<posted 5.15.2015>

B.B. King – Sweet Little Angel
B.B. King – It’s My Own Fault

RIP B.B. King, 1925 – 2015

What can be said that hasn’t already when an artist has been recording and performing music for almost 70 years. And performing was first and foremost what B.B. was about. His guitar playing…legendary, his voice….underrated, but the way he engaged audiences is what sticks in my mind. I only had the pleasure of seeing him one time, but countless live audio and video recordings reveal his personality. Even though the Blues has some repetitive structure, B.B. really had his own style. His was of a more sophisticated style, owing debt to early jazz, and the sound of each note was of more importance than the quantity of them. The two tracks above are a segue from my favorite B.B. King album, Live At The Regal, recorded at the defunct Regal Theater in Chicago 1964. My feelings today are to thank him. Many musicians I enjoy were influenced heavily by B.B. I’ve read many times that he was extremely appreciative to the younger artists recognizing him, but as we know, his contributions to music will be appreciated for generations to come.

<posted 5.1.2015>

Lady Lamb – Billions of Eyes

Lady Lamb, aka Aly Spaltro, has been one of my favorite artists over the past couple years. I’m really pumped to see her this week at the gloriously tiny Schuba’s. Her song writing is striking and personal, often tender and aggressive in the span of 60 seconds. Her songs are folk ditties with rock club edge but sometimes punk rock with ragged folk tendencies. For whatever reason, her voice, approach to songwriting, and delivery has been extremely affecting to me. I dig that she doesn’t follow any convention but gives forth abundant hooks and melody. New album After is awesome….More to come from this fascinating artist.

<posted 4.24.2015>

Alabama Shakes – Gimme All Your Love

The belabored and scrutinized sophomore album. The knack for radio-friendly tunes. The desire to explore new territory. Alabama Shakes is back with their second album, Sound & Color. Already known but revealed again…Brittany Howard is the real deal. Her voice is powerful, but she knows when to show restraint for soulful effect. The kind of soul that drips with late-night sex, sweat, and tears. This release is more about the entire sound of the band, however, and that sound has evolved into a more expansive R&B affair this time with more varied structures and space within the music. The increased electric guitar workouts are also extremely evident. There may not be the blues-rock stompers this time, but this sound quickly seeps into your own soul, and I can already feel it slinking around mine.

<posted 4.17.2015>

Modest Mouse – Sugar Boats

Modest Mouse – Wicked Campaign

It’s been a long 8 years since Modest Mouse’s phenomenal We Were Dead Before The Ship Even Sank. I have specific memories of listening to that album and can place it at certain times and places. Much has happened since then, and it’s interesting to see what musical direction and maddening afflictions are driving band leader Isaac Brock. I read some negative reviews for new album Strangers to Ourselves the day it was released, but as usual, this band cannot be consumed in a couple of listens. Or maybe it’s just not everyone’s cup. I am finding it simply awesome! It rocks! And there is nothing forced about the entertaining weirdness and tasty detours welcomed among this ingenious work. Lyrically, the album is based on a singular – and familiar – Brock theme, that we still don’t understand our place on this earth, may have never been meant for it, and are destroying it without care. The music is buoyant and even the darkest, most frenzied vocals are riding on beautiful melodies. There are sonic complexities mixed with a straightforward presentation. These two sides are always present and featured in the two tracks above from this galvanic album.

<posted 4.10.2015>

Dr. Dog – Heart It Races

I may have mentioned a time or two how much I love this band. Their albums are all solid collections of loose, exuberant indie rock with a certain retro edge, and the live show is a blast. Super stoked they decided to release a live album this year, which is becoming a lost art form. Live At A Flamingo Hotel is tremendous with a great mix of their catalog and superb production. Also, super stoked to be seeing them Saturday at House of Blues! A track from the new live album seems appropriate for this week…enjoy!

<posted 4.3.2015>

Sleater-Kinney – Bury Our Friends

Ten years ago, I saw this 3 piece female rock group in Chicago after introduction via Pearl Jam and enjoying the albums One Beat and The Woods. One word could be used to describe the show: fierce! They would go on a long hiatus shortly after, but they are back! Sleater-Kinney has the post-punk grit and defining feminist growl you would expect of them, but they are so much more. They’re a significant rock group with killer hooks, dynamic tempos, and immense musical skill. New album No Cities to Love has been on constant rotation for me and is some of the sharpest rock they’ve released yet. “Bury Our Friends” is biting social commentary about celebrity worship instead of attention to the people we should care more about. It also contains some of the more memorable and massive riffs in recent memory.

<posted 3.27.2015>

Pearl Jam – Push Me, Pull Me (live – 10/20/2014 Milwaukee)

Been having some fun with this song ever since last fall’s tremendous Milwaukee show, one of the few live versions. And it keeps circling back as concepts often do in life…hovering above love…swelling against earth’s adventures….new meanings and appreciation for all things. “We’re all just visiting, just breaking like waves. The ocean made us, but who came up with Love”

<posted 1.23.2015>

Ben Ottewell – Red Dress

Some songs have a quality that is hard to explain but is easy to feel over and over. The truly gorgeous “Red Dress” falls in this category with a fantastic finger-picked acoustic line and multiple soaring crescendos. There’s an underlying beat that grips the listener and moves the heart and mind along. The lyrics “When I came down, down from a mountain. At first I was frightened, then I saw your face.” are an inspiring take on love and what obstacles it can get us through. Ben’s voice is in exquisite form throughout new album Rattlebag, and while his band Gomez is on hiatus, it’s awesome to still hear his wail and croon.

<posted 1.7.2015>

Nicki Bluhm and The Gramblers – Till I’m Blue

Becca and I had a recent conversation about how Nicki Bluhm and The Gramblers self-titled album was among the best of 2014….and then I found out it released in 2013. It definitely would have made my Best Albums of 2013 list. This country soul cleverly walks the line between pop twang and hardy folk rock. There is a dirt road shuffle to many of the songs and flourishes of harmonica and bluesy electric guitar throughout. And Nicki Bluhm’s voice is mesmerizing. A great album from beginning to end…check out “Till I’m Blue” above.

<posted 12.19.2014>

Ty Segall – It’s Over

Nude Beach – Can’t Get Enough

King Tuff – Rainbow’s Run

A trifecta of some of the best garage-fuzz Rock and Roll of the year. All three bands have delivered assertive albums of heavy noise rock with accessible pop sensibilities. Each has their own sound, and withholding comparisons, are extremely enjoyable listens when craving energetic rock tunes. If you’re interested, get your hands on Ty Segall’s Manipulator, Nude Beach’s 77, and King Tuff’s Black Moon Spell. Dazzling passages and brilliant hooks are abundant throughout.

<posted 11.19.2014>

Robert Plant – Somebody There

Somewhat serenely, Robert Plant has been putting together a solid solo career over at least the past decade, in no small part to his voice still being an amazing instrument. New album lullaby and… The Ceaseless Roar continues the skillful craft of blending worldly psychedelia, classic folk-blues, and dense rhythms. In other terms, the Zeppelin front man has grown extremely comfortable creating music steeped in influences he’s always been enamoured with. The best thing about songs like “Somebody There” is hearing an artist create fresh entries into the visceral rock world he had a part in creating, with only the slightest nod to the past.

<posted 11.05.2014>

Ages and Ages – Divisionary (Do The Right Thing)

One of the most fun listens of the year, Ages and Ages combine lively acoustic rock with tasteful embellishments and extremely bright harmonic vocals. Want to take a drive and feel elated?…above all of life’s issues….listen to this. I dug 2014 album Divisionary immediately but thought it would grow insipid over time. It didn’t happen which is another compliment because there are enough soaring moments and cool musical detours. If you don’t get a chance to check out the whole album (you should), listen to the above album closing track very loud on a long drive or train ride. Enjoy!

<posted 10.30.2014>

The Wytches – Wide At Midnight

Happy Halloween! Just been happening to listen to this young U.K. band who captures a dark, spooky sound. To say they rock hard would be true but also misses the sideways psychedelic spin that I really dig. If Syd Barrett had wanted to lead a heavier band, it might sound like this. I love lo-fi garage rock that gives me that lost in my anger and desperation feeling, and this does it for me. Repeated listens reveals much more structured rhythm but also more appreciation for the rawness of sound.

<posted 09.30.2014>

Tom Petty & The Heartbreakers – Fault Lines

Mr. Tom Petty & his longtime cohorts just keep churning out tight rock and roll without any acknowledgement of current chart trends or attention to how relevant they are today. I guess they can’t help that they are still an important fixture in music. This year’s Hypnotic Eye is especially grand, not due to any great expansion of sound but for the sheer quality and focus of the tracks. The Heartbreakers are arguably one of the most underrated talents, and Petty sounds fantastic, with the perfect amount of smile and snarl storytelling. “Fault Lines” is a rollicking number about self-examination with bang-up bass, guitar licks, and harmonica flourishes.

Shovels & Rope – Coping Mechanism

Shovels & Rope – Evil

I’ve been raving about this genre-bridging duo for a couple of years now after 2012’s O’ Be Joyful and especially after seeing them live last year. The brilliant song-writing and scrappy blend of folk, country, and vintage rock – with some blues and doo-wop as well – gripped me right away. Seeing the married couple perform with such passion made me feel like hitching to their bandwagon for the dirt road trips across America so often depicted in the songs. Still, new album Swimmin’ Time takes all the ramshackle fun into a big leap forward……a fantastic release. Seeing them again this week at the predictably next larger venue. Can’t pick just one song to share so…..enjoy the ride.

<posted 08.22.2014>

Talking Heads – This Must Be The Place (Naive Melody)

Home is less of a place and more of a concept. It’s where you belong. It’s when you’ve arrived. It’s how you live. It’s who you’re with. It’s Love. Doesn’t matter who found who and how we got here. Never for money. Plenty of time. “Home is where I want to be, but i guess i’m already there”. It’s really always about Love. One of my all time favorite songs from the genius of David Byrne.

<posted 08.01.2014>

Spoon – Rainy Taxi

Spoon – My Mathematical Mind

There may be no band that represents my introduction and infatuation with catchy, yet fractured indie rock over the past dozen years than Spoon. I remember vividly the sounds and smells of the record store and the burning feeling for something different when the shaggy-haired clerk recommended it. I remember my first head bopping, feet stomping late night, spinning that album, 2000’s Girls Can Tell. I remember trying to learn the riffs on my guitar and realizing this band was really unique. There’s been several amazing albums since and now a four year break until next week’s They Want My Soul. New track “Rainy Taxi” sounds fascinating with its addictive cadence and what can only be described as a fun, sporadic celebration. It sounds like Spoon. For extra excitement for tonight’s show at the marvelous and tiny Metro, check out “My Mathematical Mind” from 2005’s Gimme Fiction.

<posted 07.25.2014>

Strand of Oaks – HEAL

A time existed where I was crumbling. I could feel every piece falling away in real time. I had always felt I was in a confined place and wasn’t really me…but more so during that time. The pain, emptiness, and self-pity were real and have shaped who I am even though I’ve long let those feelings go. No matter what afflicts you, the best lessons of life can be found in productive expression of the ghosts and a serious attempt of reaching forward. These things are obtained with the support of others, but even more importantly, a focus on improving yourself. We all deal in unique ways, but ultimately the goal is to HEAL. Track above is from the new Strand Of Oaks album, HEAL, an absolutely phenomenal release this year with these themes and more.

<posted 07.17.2014>

Phish – Devotion To A Dream

It has been somewhat a secret that Phish can make really amazing albums. Or maybe their style is just not most people’s thing. Fine. I have always had a thing for their studio releases. On most albums, the incredible musicianship of this band is placed in perfect concise focus with song-writing marvels throughout. New album Fuego is a slightly overproduced statement with a few garish moments, but it’s also an extremely fun and beautiful album. “Devotion To A Dream” is a rollicking tune with uplifting vibes, reflective lyrics, awesome harmonized vocals, and an instrumental jam as tasty as they come. Super stoked to see them this Friday. It’s been a long while and I can’t wait to hear the sweet tones hit my ears.

<posted 07.03.2014>

Ray Charles – America The Beautiful

Happy Independence Day! Hope you enjoy with family and friends in our great country!

<posted 06.25.2014>

moe. – Little Miss Cup Half Empty (new album track)

moe. – Buster (live)

Umphrey’s McGee – Hourglass (new album track)

Umphrey’s McGee – 40’s Theme (live)

New albums by my two favorite improv/jam rock bands were released in the last month. Album tracks are not the most representative of what these guys are about and usually not their biggest strength, but moe.’s No Guts, No Glory and Umphrey’s McGee’s Similar Skin are both solid efforts. moe.’s new album track “Little Miss Cup Half Empty” shows the folk-rock groove they went for this time out. moe. is somewhat a combo of Grateful Dead/Allman Brothers Band/The Who with more raucous guitar shredding as heard in the Live track above, “Buster“. Umphrey’s is more the Frank Zappa/Dream Theater/Pink Floyd combo where virtuosity and Prog Rock is supreme. Enjoy new track “Hourglass” and live track “40’s Theme“. The studio selections are a great way to hear the stripped down song-writing and always reveal some new character in the band. I can easily proclaim that both bands have been responsible for some of the most mind-blowing musical passages I’ve ever witnessed live. There are few bands, if any, that have this kind of unbelievable musicianship and adventurous talent amongst their members.

<posted 06.12.2014>

Cloud Nothings – Quieter Today

To me there is a void in rock music right now. An empty space surrounded by either extremely talented hard rock/metal bands who struggle with captivating songwriting or catchy pop rock that fails to take any chances. Both have their place for me, but Cloud Nothings are working to fill the gap on 2012’s excellent Attack On Memory and continues on this year’s Here and Nowhere Else. The guitar riffs are meaty and fast while weaving compelling melody. The drums are explosive. The snarling Joe Strummer – style vocals play second only to the Fugazi/Nirvana tendency. The best thing is I feel we won’t be using other musicians to describe these guys soon.

The Black Keys – In Time

The Black Keys – Set You Free

I’ve told my Black Keys story enough times…let’s just say I’ve been on board for a long time. After previous album, El Camino, which I definitely enjoyed, I was concerned about the direction they were headed. The logical next step was a more catchy, less musically interesting, arena rock record to satisfy the new arena rock fans. I’m not bitter…good for them! They’ve made their own records independently and grew slowly by relying on mostly just their immense talent. Imagine my excitement as new album Turn Blue is a dense, multi-layered, groovy affair while still featuring an abundance of engaging hooks and vocals. Full review to come later of course, but enjoy new song “In Time” here. If you aren’t dancing, you have no soul. And for entertainment comparison value, “Set You Free” from 2003’s Thickfreakness, when the music was primitive garage blues and downright fucking filthy.

The War On Drugs – Red Eyes

So far, we are getting a great year of music, highlighted by Lost In The Dream by The War On Drugs. The perfect album if you’re seeking the youthful abandon of Dylan and Petty filtered through dreamy indie rock. The album is an expansive statement that is quickly enjoyable but allows the listener to satisfyingly get lost along the way. “Red Eyes” has a pulsing 80’s-ish beat with synth, many buried sounds, and a delightful late-night dance rhythm. It’s difficult to pick one song representative of the album, but I hope you enjoy this one.

Neil Young – Ohio

Neil Young – A Man Needs a Maid / Heart Of Gold Suite

Last week was sublime for myself and a few thousand lucky fans. I’ve seen Neil’s ferocious electric guitar Rock and Roll show with many different bands and once solo before, but nothing quite like this acoustic intimate show at Chicago Theatre (My Review). His particular vocal style and nuanced acoustic guitar playing made this a forever memorable evening. Enjoy these tracks from Live At Massey Hall 1971, a phenomenal album which has a similar vibe to the grand show I witnessed.

The National – Abel

In celebration of the 4 night run by The National at Chicago Theatre…and my attendance tonight! Really excited to have the intense mellow, controlled chaos, dreamy vigor, spooky beautiful world envelop us tonight. Headed to the amazing venue with really amazing friends for a great night! I’ve shared quite a bit about the last couple of albums, but here is a great track from 2005’s Alligator to enjoy.

Yellow Ostrich – Shades

Saw these guys for the first time proper in the gloriously tiny Schuba’s last week. There was something in new album Cosmos that made me feel like I needed to be there, and they did not disappoint. Impressed actually. 2012’s Strange Land was very enjoyable, and one of my best 25 albums of that year, but it’s awesome to see a band take a step forward. Their sound is somewhere in Local Natives / Spoon / Radiohead / Pavement territory, which explains why I dig it. That and the songs are concurrently tight and exploratory with build-ups, breakdowns, and engaging rhythms.

Ben Harper – Amen Omen Some songs stick with you for so long, and you don’t even know why. Beautiful, timeless songs full of deep emotion. Keeps reappearing and provides meaning and comfort to life when it’s needed most. Learn a song on guitar and see it live 9 years later. Randomly hear the song again and realize it’s perfect for your current condition. An Amen as a closing prayer. An Omen for better things to come. No surprise it’s Ben Harper.

Deer Tick – The Rock

The Avett Brothers – Open-Ended Life

A sample of what we’ll be seeing tonight at UIC Pavilion. I haven’t seen either band live and both have been on my rotation for quite sometime. Folk, baroque pop, and obvious Dylan and Young influence flavors both band’s take on rock. Deer Tick being the boozier, louder band, and The Avett Brothers delivering reflective vocals inside beautiful partly cloudy bluegrass pop. Each have released stand-out albums in 2013. Check them out.

Ha Ha Tonka – Staring At The End Of Our Lives Great track from this year’s “Lessons”, which will likely end up on my year-end list. First heard this Alt-Country band on a compilation from Bloodshot Records (out of Chicago…Old 97’s, Neko Case among their artists). I was immediately interested but have really taken notice with this album. The songs have a comfortable, straight forward ease even with ubiquitous instrumental flourishes. Beautiful vocal harmonies ride over intricate passages only to come crashing into noisy guitar riffs. I plan on following where this band is headed.

The Velvet Underground – What Goes On

Lou Reed 1942-2013 No matter what one is passionate about, examining the origins is part of the appreciation. And it is impossible to appreciate music without crossing the path of Lou Reed somewhere along the way. My time with The Velvet Underground was a true mind bender, as much as it must have been to the young of 1967. Injecting provocative subjects, avant-garde song structures, and a healthy dose of realism into rock and roll was, I’m sure, a shock at the time. I’m also sure that few have painted graphic pictures with capricious words quite like him. His influence can be heard in several of my favorite indie artists today (Wilco and Deer Tick, for example). It’s easy to say Lou Reed is one of the most important individuals in rock history, even if not the most accomplished or commercially successful. He has convinced me that listening with an open mind is the only way. I learned several VU songs long ago, now my attempt at a tribute:

Brenton Goodrich – Beginning To See The Light (The Velvet Underground cover)

Dr. Dog – The Beach Dr. Dog – Love

It’s well known how much I love these guys. A lo-fi, fun band who wears their many influences on their sleeve while creating their own very unique sound. If the Beatles made a child with Motown in a Philly garage is all I ever know to say. ‘The Beach’ is from the 2008 album “Fate” and the band doubled down on the vintage soul for ‘Love’ from the new 2013 album “B-Room”. Both just feel good to me as the type of song to bring a smile when needed. Dr. Dog though, is without a doubt best live. The songs really come alive and another chance is coming in February in Chicago at their biggest venue yet, the Riviera. Stoked already.

Pearl Jam – Infallible

One of my favorite songs on new album “Lightning Bolt” finds the band exploring new sounds and expanded instrumentation while retaining the soaring melodic rock we expect from them. A driving rhythm melds with engaging guitar effects and features some incredible lyrics. The track soars at times…changes tempos…and soars again. Hope this is a huge live song someday!

Black Joe Lewis – Young Girls

Recently, anytime I’ve been in the mood for something primitive and rowdy, I’ve turned to the 2013 release “Electric Slave”. Black Joe Lewis has always blended blues, rock, and soul music, with some New Orleans jazz-funk scattered throughout. This new track strolls through the gnarled and shady alleys of all those styles.

J. Roddy Walston & The Business – Take It As It Comes

Raw, roll and rumble rock that draws from the classics, J. Roddy knows how to craft hip shakers with an indie sensibility. What I thought Kings of Leon were going to be. Definitely a nod to southern classic rock with a Stones / Zeppelin thing going on, but it’s own unique vibe.

Sallie Ford & The Sound Outside – Devil

Just plain strut and swagger fun, this band nails the very beginnings of Rock-and-Roll like none other. Makes me wish I could go back in time and experience it all firsthand. I dig the airy reverb-drenched guitars and would love to hang out and drink whiskey with the real deal Sallie Ford…. of course taking care not to piss her off.

The Allman Brothers Band – Statesboro Blues

I shake my head and smile when I read that ABB are old southern rock and probably past their musical prime. They are not that southern rock band. The Brothers today are a dirty-ass Blues Rock band with Jazz leanings and touches of Reggae and old-time Swing….and yes, Southern Rock. Oh, and they really freakin wail. 2 of the most incredible living guitarists are in this one band, and it’s some of the most mind-blowing rock-and-roll I’ve ever seen live. I’ve happily digested new songs and many recordings from the 70s, but this 2003 live track shows the ferocity of which they still play some of the old songs. May not have many years left with the Brothers…..

The National – Graceless

A perfect entry into the spooky and beautiful world of The National. I’ve never heard a band use words quite like this to describe a mood while the swirling building music has its own dimension to the mood. I feel deeply worried about my shortcomings and joyful about my potential when listening to this gorgeous tune.

Queens Of The Stone Age – My God Is The Sun

You know those moments where most of your favorite rock influences (indie, punk, prog metal) all come together on a single song? Well, I do. Queens are the band I’m never quite aware of but smack me in the face every time there’s a new album. This track kills with its driving bass line and intense, yet creative riffs…a welcome interruption…

Pearl Jam

Faithful —
Mind Your Manners —
Save You —
Life Wasted —
Given To Fly —
In My Tree —
Black —
Lightning Bolt —
Marker In The Sand —
Nothing As It Seems —
Amongst The Waves —
Thumbing My Way —
Unthought Known —
Corduroy —
Porch —
Rearviewmirror —
Grievance —
Present Tense —
Immortality —
Free Fallin’ —
Saving Grace —
Refugee —
Runnin’ Down A Dream —
American Girl —
You Don’t Know How It Feels —
Here Comes My Girl —
I Won’t Back Down —
Time To Move On —
You Wreck Me —
Into The Great Wide Open —
Mary Jane’s Last Dance —
Breakdown —
Fault Lines —
Strangered In The Night —
Cabin Down Below —

Ivan & Alyosha – Running For Cover

From the 2013 album “All The Times We Had”, which is extremely enjoyable from beginning to end. On first listen, I found similarities to Gomez and Delta Spirit. This track has tasty guitar fills darting in and out, and the beat and melody make me want to hit the road. Also features one of those choruses that stick in the head and find their way out during random times of my day.

Lee Bains III & The Glory Fires – Ain’t No Stranger

Another solid song in the ever growing folk-rock / roots / southern R&B camp. These guys are Alabama-based, and it shows from the first guitar lick to the ending jam. But there’s something a little more chaotic going on here, and the musicianship plays brother to the soulfulness.

Wilco – Art Of Almost

Leading off 2011’s superb “The Whole Love”, a track that combines Wilco’s complex and subtle songwriting with their nasty and noisy instrumentation. A mover-and-shaker track…..downright evil in a live setting.

5 comments on “Song of the Week”

Rebecca on 02/06/2015 at 4:24 am said:

I LOVE that red dress made an appearance on song of the week!! My favorite! Thanks for introducing me!

Andy on 06/25/2013 at 11:55 pm said:


Dennis on 06/25/2013 at 2:26 pm said:

Jake Bugg, an artist worthy of Bold Gestures. Thoughts, comments, comparisons?

- bgjamrock on 06/26/2013 at 5:51 pm said:
  
  Will be checking it out and get back. An unfamiliar name…
  
matt on 06/12/2013 at 8:19 pm said:

Also dig the SotW; a welcome change to SpongeBob SquarePants theme song

Song of the Week